“40-Horse Hawkins”, a lost 1924 American silent Western comedy film, directed by Edward Sedgwick and starring the charismatic Hoot Gibson, remains a delightful relic of early cinema. Produced and distributed by Universal Pictures, this film takes us on a whimsical journey away from the prairies and sagebrush. The plot revolves around Jack-of-all-trades Luke Hawkins, a callow youth in the western town of Lariat. His heart is ensnared by the enchanting Mary Darling, the leading lady of a traveling theatrical troupe specializing in old-fashioned “mortgage melodrama.” Luke’s pursuit of Mary leads him from Lariat to the bustling streets of New York City, where he takes on a series of odd jobs. Each new gig comes with its own hat-a recurring gag that adds a touch of humor. As Luke navigates various careers, he lands an unexpected role: stage director for the barnstorming actors. The troupe’s barrel-chested leading man, portrayed by character actor Richard Tucker, provides comic relief. Meanwhile, the troupe’s ingenue, the aptly named Mary Darling, captures Luke’s heart. But when the character actress, played by Helen Holmes, spitefully gets Mary sacked, our heroine heads back to New York City. There, she effortlessly becomes the soubrette in a Broadway show, leaving Luke in pursuit. Director Edward Sedgwick himself steals the spotlight as the stage manager and director of the play. Gibson, known for his cowboy antics, surprises with his comedic talent and impeccable timing. The film’s departure from the usual prairie setting and its focus on comedy make it a refreshing addition to Hoot Gibson’s repertoire.