Home - Art and Artists - A Craving for Cherries by Sir Lawrence Alma-Tadema
100 in stock
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100 in stock
Ships within 2 business days
Getting posters and prints of art for your home is a simple and meaningful way to improve how your space feels and looks. Art is more than just decoration—it helps make your home feel warm, personal, and complete. Choosing artwork that matches your style and interests can make your home truly reflect who you are. Art can also lift your mood, making your space more enjoyable and relaxing.
Here’s why adding art to your home is a great idea:
– It adds personality and warmth, turning a house into a home.
– It expresses your unique style and taste.
– It reduces stress and increases happiness.
– It makes any room more colorful and inviting.
With the right artwork, you can create a space that’s not only beautiful but also feels like a true reflection of yourself.
A Craving for Cherries is a delightful painting by Sir Lawrence Alma-Tadema, created in 1868. Known for his meticulous depictions of classical antiquity, Alma-Tadema brings to life a scene that is both intimate and whimsical. The painting features a young Roman girl eagerly reaching for a bunch of cherries hanging from a branch. Her expression is one of focused desire, capturing the innocent longing for the sweet fruit.The background, detailed with lush greenery and classical architectural elements, enhances the sense of time and place, immersing the viewer in ancient Rome. Alma-Tadema’s use of light and color is particularly notable, with the vibrant red of the cherries contrasting against the softer tones of the girl’s clothing and the verdant surroundings. This work exemplifies Alma-Tadema’s ability to blend everyday human emotions with historical settings, making the past feel vividly alive and relatable. Sir Lawrence Alma-Tadema (1836–1912) was a Dutch-born British painter known for his meticulously detailed depictions of classical antiquity, particularly scenes from ancient Rome and Greece. Born in the Netherlands, Alma-Tadema trained at the Royal Academy of Antwerp before moving to England in 1870, where he became one of the most celebrated artists of the Victorian era. His works often depicted luxurious scenes of Roman life, with an emphasis on architecture, marble textures, and sensuous figures, earning him a reputation for his technical precision and historical accuracy. Alma-Tadema’s fascination with classical themes and his ability to bring them to life with vibrant color and intricate detail set him apart from his contemporaries. His paintings, such as “The Roses of Heliogabalus” and “Spring,” were praised for their ability to transport viewers into another world, one filled with opulence and beauty. Despite the initial popularity of his work, his reputation waned after his death as tastes in art shifted toward modernism, but he has since experienced a revival. Alma-Tadema’s influence is seen not only in the fine arts but also in film, where his depiction of antiquity has inspired many set designs in historical epics. His legacy as a master of classical revival art endures today. Sir Lawrence Alma-Tadema (1836–1912) was a Dutch-born British painter known for his meticulously detailed depictions of classical antiquity, particularly scenes from ancient Rome and Greece. Born in the Netherlands, Alma-Tadema trained at the Royal Academy of Antwerp before moving to England in 1870, where he became one of the most celebrated artists of the Victorian era. His works often depicted luxurious scenes of Roman life, with an emphasis on architecture, marble textures, and sensuous figures, earning him a reputation for his technical precision and historical accuracy. Alma-Tadema’s fascination with classical themes and his ability to bring them to life with vibrant color and intricate detail set him apart from his contemporaries. His paintings, such as “The Roses of Heliogabalus” and “Spring,” were praised for their ability to transport viewers into another world, one filled with opulence and beauty. Despite the initial popularity of his work, his reputation waned after his death as tastes in art shifted toward modernism, but he has since experienced a revival. Alma-Tadema’s influence is seen not only in the fine arts but also in film, where his depiction of antiquity has inspired many set designs in historical epics. His legacy as a master of classical revival art endures today. Sir Lawrence Alma-Tadema (1836–1912) was a Dutch-born British painter known for his meticulously detailed depictions of classical antiquity, particularly scenes from ancient Rome and Greece. Born in the Netherlands, Alma-Tadema trained at the Royal Academy of Antwerp before moving to England in 1870, where he became one of the most celebrated artists of the Victorian era. His works often depicted luxurious scenes of Roman life, with an emphasis on architecture, marble textures, and sensuous figures, earning him a reputation for his technical precision and historical accuracy. Alma-Tadema’s fascination with classical themes and his ability to bring them to life with vibrant color and intricate detail set him apart from his contemporaries. His paintings, such as “The Roses of Heliogabalus” and “Spring,” were praised for their ability to transport viewers into another world, one filled with opulence and beauty. Despite the initial popularity of his work, his reputation waned after his death as tastes in art shifted toward modernism, but he has since experienced a revival. Alma-Tadema’s influence is seen not only in the fine arts but also in film, where his depiction of antiquity has inspired many set designs in historical epics. His legacy as a master of classical revival art endures today.
This artwork is available in the following sizes and types (measurements are in inches): 12×18 paper poster – 12×18 paper giclee – 12×18 canvas print – 12×18 canvas giclee – 16×24 paper giclee – 16×24 canvas print – 18×27 paper giclee – 20×30 paper poster – 20×30 paper giclee – 20×30 canvas print – 20×30 canvas giclee – 24×36 paper giclee – 24×36 canvas print – 24×36 canvas giclee
Sizes refer to the image itself. In addition there is a white border of approximately 2 inches on each side, which can be trimmed for framing or mounting.
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