Home - Art and Artists - Abduction of the Sabine Women by Nicolas Poussin
100 in stock
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100 in stock
Ships within 2 business days
Getting posters and prints of art for your home is a simple and meaningful way to improve how your space feels and looks. Art is more than just decoration—it helps make your home feel warm, personal, and complete. Choosing artwork that matches your style and interests can make your home truly reflect who you are. Art can also lift your mood, making your space more enjoyable and relaxing.
Here’s why adding art to your home is a great idea:
– It adds personality and warmth, turning a house into a home.
– It expresses your unique style and taste.
– It reduces stress and increases happiness.
– It makes any room more colorful and inviting.
With the right artwork, you can create a space that’s not only beautiful but also feels like a true reflection of yourself.
Nicolas Poussin (1594 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He briefly returned to Paris to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his traditional themes. In his later years he gave growing prominence to the landscapes in his pictures. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. One of his early major themes was the “Rape of the Sabine Women,” recounting how the King of Rome, Romulus, wanting wives for his soldiers, invited the members of the neighboring Sabine tribe for a festival, and then, on his signal, kidnapped all of the women. Romulus raised his cloak as the prearranged signal for the warriors to seize the Sabine women. The mother, her babies, and an old woman in the foreground were captured accidentally in the turmoil. The yellow armor worn by the man at the right is modeled after a Roman ‘lorica,’ which was made of leather and reproduced the anatomy of the male torso. Poussin painted two versions, one in 1634, now in the Metropolitan Museum, and the other in 1637, now in the Louvre.1634/Metropolitan Museum, USA
This artwork is available in the following sizes and types (measurements are in inches): 12×18 paper poster – 12×18 paper giclee – 12×18 canvas print – 12×18 canvas giclee – 16×24 paper giclee – 16×24 canvas print – 18×27 paper giclee – 20×30 paper poster – 20×30 paper giclee – 20×30 canvas print – 20×30 canvas giclee – 24×36 paper giclee – 24×36 canvas print – 24×36 canvas giclee
Sizes refer to the image itself. In addition there is a white border of approximately 2 inches on each side, which can be trimmed for framing or mounting.
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