Home - Art and Artists - Wink Magazine; On a Scale by Peter Driben
100 in stock
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100 in stock
Ships within 2 business days
Getting posters and prints of art for your home is a simple and meaningful way to improve how your space feels and looks. Art is more than just decoration—it helps make your home feel warm, personal, and complete. Choosing artwork that matches your style and interests can make your home truly reflect who you are. Art can also lift your mood, making your space more enjoyable and relaxing.
Here’s why adding art to your home is a great idea:
– It adds personality and warmth, turning a house into a home.
– It expresses your unique style and taste.
– It reduces stress and increases happiness.
– It makes any room more colorful and inviting.
With the right artwork, you can create a space that’s not only beautiful but also feels like a true reflection of yourself.
Beautiful girl in high heels and two piece suit bends over on a scale to get her weight.
Peter Driben was an American pin-up artist, best known for his vibrant and often cheeky illustrations that were a staple of mid-20th century popular culture. Born in 1903 in Boston, Massachusetts, Driben’s work gained prominence during the 1930s and 1940s, a period often considered the golden age of pin-up art.
Peter Driben’s pin-up art is characterized by its playful and light-hearted nature. His illustrations often featured glamorous and provocatively posed women, exuding a sense of confidence and allure. Driben had a knack for capturing the beauty and charm of the female form, using bold colors and dynamic compositions. His work was notable for its detailed and realistic rendering, combined with a slightly exaggerated, cartoonish quality that added a sense of fun and fantasy.
Driben’s pin-ups were widely published in pin-up magazines such as **”Beauty Parade,” “Titter,” “Wink,” “Rogue,” and “Flirt.” He also created cover art for paperback books and calendars. His work contributed significantly to the visual culture of his time, influencing both contemporary and later artists in the genre. Driben’s pin-ups were part of a broader movement that included other famous pin-up artists like Alberto Vargas, Gil Elvgren, and George Petty. These artists collectively helped to define the aesthetic of the pin-up girl, which became an iconic symbol of mid-century American popular culture, especially during World War II when such imagery was used to boost morale among soldiers.
“Wink” magazine thrived from the 1940s to the 1950s, catering to a male audience with a taste for the suggestive. Initially known as “Beauty Parade,” it offered pin-up pictures alongside short stories with a risqué touch. Published by Robert Harrison, “Wink” upped the ante with elements of bondage in its comic strips, pushing the boundaries for the time. Though commercially successful, the magazine ultimately faded away by the late 1970s. Today, vintage “Wink” issues are sought-after collectibles, a reminder of a bygone era where pin-up culture thrived with a hint of titillation.
This artwork is available in the following sizes and types (measurements are in inches): 12×18 paper poster – 12×18 paper giclee – 12×18 canvas print – 12×18 canvas giclee – 16×24 paper giclee – 16×24 canvas print – 18×27 paper giclee – 20×30 paper poster – 20×30 paper giclee – 20×30 canvas print – 20×30 canvas giclee – 24×36 paper giclee – 24×36 canvas print – 24×36 canvas giclee
Sizes refer to the image itself. In addition there is a white border of approximately 2 inches on each side, which can be trimmed for framing or mounting.
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